It has normally started with simple patterns and gradually it developed into more complex forms in an organized way. Variety of this pattern throughout the world is the result of the influences and impressions that man got from his environment and different forms and designs around him. In the search and compare of the meander pattern in the cultures is received that, it symbolic pattern, sometimes has made progress synchronized in different parts of the world. This research has applied with descriptive and analytical methods. Moreover, the need for recognition of the motifs and symbols in the culture and art of Iran, and attaining more information about their background in various arts, led us to study these arrays in the Iranian art of prehistoric era and later periods.
So while studying the meander pattern in different encyclopedic, historical and symbolic meanings, we reviewed types of the pattern and its relationship with other designs. This research aims at finding and recognition of the meander pattern and manifestation of various people’s beliefs and views in the form of those motifs. The meander pattern is one of such motifs used as a symbolic and decorative array among various cultures throughout the history. In many cases, such beliefs appear in the forms of motifs and pictures drawn on artworks and historical-cultural artifacts therefore, recognition of these patterns is of great importance in this regard. One of the methods for communications with various people's culture and art is to understand their views and beliefs as well as possible.